House of Cards was placed in Kungsträdgården, Stockholm, in May 1995, based on the idea of an enormous but extremely fragile construction that could easily fall apart if one of its components was removed. The idea was to place a fence in its natural environment, but at the same time to re-make a “ready-made” by …
Permanent Strindberg’s quotations at the Drottning street, Stockholm, 1998 History FA+ artists Ingrid Falk and Gustavo Aguerre painted citations from the turn-of- the century Swedish novelist August Strindberg along Drottninggatan in Central Stockholm during the first Strindberg Festival which was held in 1994. The artists wanted to represent Strindberg through his own work. Drottninggatan was …
STOCKHOLM | 27 – 31 MAI 1994 The “Artch” was, of course, a paraphrase of the Europeans triumphal monuments, but a temporal one, a low budget celebration, when in times of economic recention nothing was to celebrate. It was a gigantic construction: 16 m. high x 18 m. long x 6 m. wide, and nearly …
Lev! (Live!) A multiple work of art In the city of Umeå, North of Sweden, FA+ new art installation Lev! (Live!) a gigantic work devoted to the memory of Sara Lidman. An artwork to view, hear, feel, and walk through. The design of the new station creates a new urban space in Umeå. The artwork …
Intervention of the San Ignacio street from Plaza de la Catedral to Plaza Vieja in La Habana Vieja – Historic City Center, for Dynamics of the Urban Culture, 9th Biennial of Habana. Organized by Centro de Arte Contemporáneo Wifredo Lam. March – April 2006 The elevation of the low Gold stays …
Stockholm – November 1996 Let me place you in the picture. Sweden. Like all around the world, in Sweden, the dissatisfaction, insecurity and fear of the people goes over to the perfect escape-goat: the foreigners, the immigrants. They are the grounds of all evil. If you thought something else about Sweden it is because you miss …
Il Cadavere Squisito – Una performance per il ucceli La Biennale di Venezia – Piazza San Marco – Venerdi 11 Giugno, 1993, ore 17. A one-day sculpture / performance for the opening of the Venice Biennial, with the subtitle “A performance for pigeons”. A full-size figure of a sitting woman made completely out of bread, …